[Editor: This poem by Barcroft Boake was published in Where the Dead Men Lie and Other Poems (1897).]
Jack’s Last Muster
The first flush of grey light, the herald of daylight,
Is dimly outlining the musterers’ camp,
Where over the sleeping the stealthily creeping
Breath of the morning lies chilly and damp,
As, blankets forsaking, ’twixt sleeping and waking,
The black-boys turn out to the manager’s call —
Whose order, of course, is, ‘Be after the horses,
And take all sorts of care you unhobble them all!’
Then, each with a bridle (provokingly idle),
They saunter away his commands to fulfil,
Where, cheerily chiming, the musical rhyming
From equine bell-ringers comes over the hill.
But now the dull dawning gives place to the morning:
The sun, springing up in a glorious flood
Of golden-shot fire, mounts higher and higher,
Till the crests of the sandhills are stained with his blood.
Now hobble-chains’ jingling, with thud of hoofs mingling,
Though distant, sounds near — the cool air is so still —
As, urged by their whooping, the horses come trooping
In front of the boys round the point of the hill.
What searching and rushing for bridles and brushing
Of saddle marks, tight’ning of breastplate and girth!
And what a strange jumble of laughter and grumble —
Some comrade’s misfortune the subject of mirth.
I recollect well how that morning Jack Bell
Had an argument over the age of a mare —
The C O B gray one, the dam of that bay one
Which storekeeper Brown calls the Young Lady Clare;
How Tomboy and Vanity caused much profanity,
Scamp’ring away with their tails in the air,
Till, after a chase at a deuce of a pace,
They ran back in the mob and we collared them there.
Then the laugh and the banter, as gaily we canter,
With a pause for the nags at a miniature lake,
Where the yellowtop catches the sunlight in patches,
And lies like a mirror of gold in our wake.
O, the rush and the rattle of fast-fleeing cattle,
Whose hoofs beat a mad rataplan on the earth!
Their hot-headed flight in! Who would not delight in
The gallop that seems to hold all life is worth?
And over the rolling plains slowly patrolling
To the sound of the cattle’s monotonous tramp,
Till we hear the sharp pealing of stockwhips, revealing
The fact that our comrades have put on the camp.
From the spot where they’re drafting the wind rises, wafting
The dust till it hides man and beast from our gaze,
Till, suddenly lifting and easterly drifting,
We catch a short glimpse of the scene through the haze —
A blending and blurring of swiftly recurring
Colour and movement, that pass on their way;
An intricate weaving of sights and sounds, leaving
An eager desire to take part in the fray;
A dusty procession, in circling succession,
Of bullocks that bellow in impotent rage;
A bright panorama, a soul-stirring drama —
The sky for its background, the earth for its stage.
How well I remember that twelfth of November
When Jack and his little mare, Vanity, fell!
On the Diamantina there never was seen a
Pair who could cut out a beast half as well.
And yet in one second Death’s finger had beckoned,
And horse and bold rider had answered the call,
Brooking no hesitation, without preparation,
That sooner or later must come to us all.
Thrice a big curly-horned Cobb bullock had scorned
To meekly acknowledge the ruling of Fate;
Thrice Jack with a clout of his whip cut him out,
But each time the beast galloped back to his mate.
Once more he came blund’ring along, with Jack thund’ring
Beside him, his spurs in poor Vanity’s flanks,
When, from some cause or other forsaking its mother,
A little white calf trotted out from the ranks.
’Twas useless, I knew it; yet I turned to pursue it:
At the same time I gave a loud warning to Jack:
It was all unavailing: I saw him come sailing
Along as the weaner ran into his track.
Little Vanity tried to turn off on one side,
Then altered her mind and attempted to leap …
The pace was too fast: that jump was her last;
For she and her rider fell all in a heap.
I was quickly down kneeling beside him, and feeling
With tremulous hand for the throb of his heart.
‘The mare — is she dead?’ were the first words he said,
As he suddenly opened his eyes with a start.
He spoke to the creature — his hand could just reach her —
Gently caressing her lean Arab head:
She acknowledged his praising with eyes quickly glazing …
A whinny … a struggle … and there she lay dead!
I sat there and nursed his head, for we durst
Not remove him: we knew where he fell he would die.
As I watched his life flicker, his breath growing thicker,
I’d have given the world to be able to cry.
Rough-voiced, sunburnt men, far away beyond ken
Of civilisation, our comrades, stood nigh —
All true-hearted mourners, and sadly forlorn as
He gave them a handshake and bade them good-bye.
In my loving embrace there he finished life’s race,
And nobly and gamely that long course was run;
Though a man and a sinner he weighed out a winner,
And God, the Great Judge, will declare he has won.
Source:
Barcroft Boake, Where the Dead Men Lie and Other Poems, Sydney (NSW): Angus and Robertson, 1897, pp. 4-8
Also published in:
The Sydney Mail and New South Wales Advertiser (Sydney, NSW), 13 December 1890, p. 1314 [entitled “Jack’s Last Muster: Diamantina River, Western Queensland”; by “Sursinglr” (sic: Surcingle) from Wagga Wagga]
The Geelong Advertiser (Geelong, Vic.), 20 December 1890, p. 1 (Supplement to The Geelong Advertiser) [by “Sursingle” (sic: Surcingle)]
Relevant notes from the “Notes to poems” section in this book:
2. JACK’S LAST MUSTER, p. 4. — Printed in The Sydney Mail, December 13, 1890. Signed ‘Sursinglr, Wagga Wagga’ — this a misprint of ‘Surcingle.’ To the printed title was added — ‘Diamantina River, Western Queensland.’
Verse 7. ‘That C O B gray one.’ C O B was one of the cattle brands of Cobb and Co. — a pastoral and coaching firm whose name is familiar throughout the east Australian interior. In verse 16 Boake sounds the letters together as Cobb.
Verse 9. ‘yellowtop.’ Vernacular for panicum flavidum, or yellow-flowered panick grass,’ a valuable perennial grass found over a large area of interior eastern Australia.
Editor’s notes:
The authorship attributed in The Sydney Mail and New South Wales Advertiser, “Sursinglr”, was a misprint of “Surcingle” (a pseudonym used by Barcroft Boake). Hugh Anderson, in his list of the writings of Barcroft Henry Boake, gives the following information regarding this poem:
“Jack’s Last Muster, Diamantine River, Western Queensland, Signed “Sursinglr” (a misprint for “Surcingle”, Boake’s pen-name from time to time)”.
See: Hugh Anderson, “Barcroft Boake – a handlist of writings”, Biblioness (Book Collectors’ Society of Australia), November 1958, p. 35
This poem includes two different spellings of the same word: gray (“The C O B gray one”) and grey (“The first flush of grey light”).
blund’ring = (vernacular) blundering
Diamantina = the Diamantina River, a river in central-west Queensland and north-east South Australia
See: “Diamantina River”, Wikipedia
equine = of or relating to horses, or to animals of the horse family
girth = a strap or band to hold a harness or saddle in place (can also refer to the part of an animal around which the girth is fitted)
Great Judge = God
ken = (Scottish) know; knowledge, perception, understanding (also spelt: kain, keen, kenn, kin, kjen)
See: 1) “KEN, v., n.”, Dictionaries of the Scots Language
2) “ken”, Wiktionary
3) “ken”, Collins
mob = a large group of animals, especially used when referring to cattle, horses, kangaroos, and sheep; also used to refer to a group of people, sometimes — although definitely not always — used in a negative or derogatory sense (possibly as an allusion to a group of dumb or wild animals), but also used in a positive sense (e.g. “they’re my mob”), especially amongst Australian Aborigines
nag = (slang) horse; can also have a negative meaning, referring to a horse which is regarded as inferior or worthless
scamp’ring = (vernacular) scampering
thund’ring = (vernacular) thundering
tight’ning = (vernacular) tight’ning
tremulous = affected with, or characterised by, trembling, quivering, shaking, or unsteadyness (in body or in voice); quavering; characterised by anxiety, fear, timidity, hesitancy, nervousness, timidity, or lack of confidence
’twas = (archaic) a contraction of “it was”
’twixt = (vernacular) a contraction of “betwixt” (i.e. between) (can be spelt with or without an apostrophe: ’twixt, twixt)
[Editor: Added a comma after “answered the call” (in line with the version published in The Sydney Mail and New South Wales Advertiser, 13 December 1890).]
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